Self Care Strandbefehl
The coastal resort Prora on the east coast of the island of Rügen does not hold a special place in Germany’s culture of remembrance. The fact that the National Socialists once planned a huge recreational facility for 20,000 members of the “Volksgemeinschaft (national community)”, a place for recuperation and propaganda purposes, has been as good as forgotten. The Second World War prevented the building complex’s completion. During the time of the GDR, it was used as barracks for the NVA (the National People’s Army), and after German reunification, private investors developed it into living and hotel facilities. In their work “Self Care Beach Command”, the collective fachbetrieb rita grechen discover Prora as a place of remembrance, where different time planes between 1936 and today are combined with poetic and documentary texts and images in a collage-fashion, overlapping and sometimes commenting. The audience is drawn into the maelstrom of memories and becomes an immediate part of this exploration of questions about how and why we should remember the past. If the visualisation of memories allows new perspectives on the future, this piece provides an interesting way of examining the upheavals and continuities of the relationship between past and present: What exactly are our goals as a society?
fachbetrieb rita grechen is an inter-disciplinary theatre collective with alternating associates. It develops music theatre shows, exhibitions, installations, durational performances, texts, films and process-oriented works. The collective’s network-like structure and the frequent collaboration with other collectives allow a wide range of artistic positions to feature in fachbetrieb rita grechen, depending on the project.
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fachbetrieb rita grechen is an inter-disciplinary theatre collective with alternating associates. It develops music theatre shows, exhibitions, installations, durational performances, texts, films and process-oriented works. The collective’s network-like structure and the frequent collaboration with other collectives allow a wide range of artistic positions to feature in fachbetrieb rita grechen, depending on the project.
12. Festival Politik im Freien Theater
16.-25.10.2025
On the subject of ‘borders’
Cooperation between the Federal Agency for Civic Education (bpb) and Schauspiel Leipzig, LOFFT—DAS THEATER, Schaubühne Lindenfels, Theater der Jungen Welt, and Westflügel Leipzig
www.politikimfreientheater.de
16.-25.10.2025
On the subject of ‘borders’
Cooperation between the Federal Agency for Civic Education (bpb) and Schauspiel Leipzig, LOFFT—DAS THEATER, Schaubühne Lindenfels, Theater der Jungen Welt, and Westflügel Leipzig
www.politikimfreientheater.de
Duration
2 hours 30 minutes (incl. an interval)Age recommendation: 14+
Language: German, Norwegian passages with German surtitles
Accessibility: The venue is wheelchair-accessible; early boarding is possible; various kinds of seating (beach chairs, towels and chairs).
Sensory stimuli: loud music, strobe light
Content notes: National Socialist propaganda language, drug use, colonialist power imbalance, story about suicide
Team
Director & Text: Hannes Köpke
Dramaturgy & Text: Urs Humpenöder
Stage: Laura Immler
Costume design: Olivia Rosendorfer
Video: Paul Voell
Performance: Laura Immler, Ferdinand Nowitzky, Jasmina Rezig, Olivia Rosendorfer, Yannik Stöbener, Alida Stricker, Paul Voell, Maria Wang Kvalheim
Technical direction: Swantje Silber
Sound design: Konstantin Fontaine
Puppet construction: Liesbeth Nenoff
Costume assistant: Julia Scholz
Stage construction: Friedrich Hartung
Outside Eye: Natalie Baudy
A production by fachbetrieb rita grechen in co-production with HELLERAU – European Centre for the Arts.
Supported by
Performing Arts Fund from funds provided by the Federal Government Commissioner for Culture and the Media, the Office for Culture and Monument Protection of the State Capital Dresden and the Cultural Foundation of the Free State of Saxony. This measure was co-financed by tax revenue on the basis of the budget approved by the Saxon State Parliament.
Thanks to: the Festspielhaus Hellerau team, Katja Lucke (Prora Documentation Centre), Nikolas Lelle (Amadeu Antonio Foundation), Christine Dörner (Bauhaus University Weimar), Thomas Widera (TU Dresden)
Thanks to: the Festspielhaus Hellerau team, Katja Lucke (Prora Documentation Centre), Nikolas Lelle (Amadeu Antonio Foundation), Christine Dörner (Bauhaus University Weimar), Thomas Widera (TU Dresden)