Das Gespenst von Canterville (The Canterville Ghost)
It’s not always easy being a child, especially when you have to move. At least that is what Virginia and her brothers Idaho and Washington think. After their mother’s death, they have moved to a Scottish county with their father, to inhabit an old castle and start a new life. The fact that an old spectre known by the name of Sir Simon was included in the purchase is poor comfort. Everything is unfamiliar and sad. Even the weather is miserable with its typical British rain; many of the castle’s nooks are spooky, and breakfast consists of tea, greasy sausages and porridge instead of cornflakes. Why did we have to move? Life really is hard sometimes!
On the stroke of midnight of their first night there, the castle’s ghost Sir Simon makes an appearance. For more than 400 years, he has been haunting the castle, grieving for his beloved wife, Lady Eleanor, who lost her life one gruesome night under never entirely explained circumstances. That is why Sir Simon has not been able to sleep for 400 years; nobody dares to approach him and he scares people half to death. Often imprisoned in his own chains and loneliness, he is delighted about the new residents. He has even oiled his chains and touched up the bloodstain in the lobby for their arrival. But whatever spookiness Sir Simon presents, he is unable to rattle this family. On the contrary: They complain about the nocturnal disturbance and set horrible traps. In fact, these modern-age people consider Sir Simon to be nothing but a superstition. After all, they live in the Here and Now. Who cares about century-old ghost stories and the dead of long ago? Sheer ignorance, the worst kind of spectre-mobbing and ghosting, thinks Sir Simon. It’s not always easy being a ghost!
And then Virginia becomes interested in the story of old Sir Simon and she feels sorry for him. After her mother’s death, she knows what it feels like to be lonely and sad. Virginia and Sir Simon become friends and slowly begin to uncover a dark secret from the past. Is it possible to contact the deceased or to even change history after the fact?
Oscar Wilde’s fairy-tale story “Das Gespenst von Canterville (The Canterville Ghost)” about a ghost manqué and the fearless modern age has been a favourite since 1887. Markus Bothe is a specialist for adapting major literary works for children’s and young people’s theatre. He received the 2010 German Theatre Prize DER FAUST in the category of “Director Children’s and Young People’s Theatre”. His production of “Medea” has been part of Schauspiel Leipzig’s repertoire since 2020.
				
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                    On the stroke of midnight of their first night there, the castle’s ghost Sir Simon makes an appearance. For more than 400 years, he has been haunting the castle, grieving for his beloved wife, Lady Eleanor, who lost her life one gruesome night under never entirely explained circumstances. That is why Sir Simon has not been able to sleep for 400 years; nobody dares to approach him and he scares people half to death. Often imprisoned in his own chains and loneliness, he is delighted about the new residents. He has even oiled his chains and touched up the bloodstain in the lobby for their arrival. But whatever spookiness Sir Simon presents, he is unable to rattle this family. On the contrary: They complain about the nocturnal disturbance and set horrible traps. In fact, these modern-age people consider Sir Simon to be nothing but a superstition. After all, they live in the Here and Now. Who cares about century-old ghost stories and the dead of long ago? Sheer ignorance, the worst kind of spectre-mobbing and ghosting, thinks Sir Simon. It’s not always easy being a ghost!
And then Virginia becomes interested in the story of old Sir Simon and she feels sorry for him. After her mother’s death, she knows what it feels like to be lonely and sad. Virginia and Sir Simon become friends and slowly begin to uncover a dark secret from the past. Is it possible to contact the deceased or to even change history after the fact?
Oscar Wilde’s fairy-tale story “Das Gespenst von Canterville (The Canterville Ghost)” about a ghost manqué and the fearless modern age has been a favourite since 1887. Markus Bothe is a specialist for adapting major literary works for children’s and young people’s theatre. He received the 2010 German Theatre Prize DER FAUST in the category of “Director Children’s and Young People’s Theatre”. His production of “Medea” has been part of Schauspiel Leipzig’s repertoire since 2020.
                            Premiere on 26.11.2023
Dernière on 26.12.2024
Große Bühne
                        
                        
                                                                        
                                                Dernière on 26.12.2024
Große Bühne
Duration
ca. 1:40Cast
Christoph Müller as Sir Simon von Canterville, the ghost
                                    Paula Winteler as Virginia Otis
                                    Denis Petković as Mr. Hiram B. Otis, her father
                                    Bruno Akkan as Washington Otis / Eleanor's brother
                                    Sasha Hayes as ldaho Otis / Eleanor's brother
                                    Tilo Krügel as Ms Umney, Haushälterin des Schloss Canterville
                                    Fritz Manhenke as Cecil, der junge Herzog von Cheshire
                                    Sonja Isemer as Lady Eleanor von Canterville
                                    Annett Sawallisch as Mrs. Lucretia Otis
                                    Louise Sophie Arnold, Luca-Noél Bock, Aicha Bracht, Joshua Dahmen, Emmeline Puntsch as Geister der Unterwelt
                                    Louise Sophie Arnold, Aicha Bracht, Luca-Noél Bock, Joshua Dahmen as Cerberus
                                Live music
Fabian Hentschel, Richard Holzapfel, Frank Kaiser 
                                Team
Director: Markus Bothe
                                    Musical direction: Biber Gullatz
                                    Stage: Alexandre Corazzola
                                    Costume design: Sabine Blickenstorfer
                                    Dramaturgy: Benjamin Große
                                    Light design: Jörn Langkabel
                                    Video: Kai Schadeberg
                                    Sound: Anko Ahlert, Matteo Apitz, Udo Schulze, Heribert Weitz
                                    Stage Manager: Jens Glanze
                                    Prompter: Ditte Trischan
                                    Assistant to the Director: Lukas Leon Krüger
                                    Stage design assistance: Arabella Marsh-Hilfiker
                                    Costume assistance: Carolin Schmelz
                                    Makeup: Kerstin Wirrmann, Kathrin Heine, Donka Holeček, Cordula Kreuter, Julia Markow, Barbara Zepnick
                                    Props: Friederike Koenitz
                                    Stage master: Julius Besen
                                    Directing and dramaturgy internship: Fy Notahiana Harinofy Ramaroson
                                    Stage design internship: Frida Marieke
                                    Costume design internship: Laura Jesiorski
                                    Audio Description: Florian Eib, Maila Giesder-Pempelforth, Beatrix Hermens, Pernille Sonne
                                    Theater pedagogical supervision: Amelie Gohla
                                


















 
                            
