Commissioned by Schauspiel Leipzig
                        Altbau in zentraler Lage (UA)
Eine Schaueroper
                    // Invited to the 50th Mülheim Theatre Days 2025
This is the final straw: a plague of ghosts in her flat. Zoey is in her late twenties; she lives in a pretty reasonably priced apartment and works as a runner in her city’s most ambitious electro-club. Since she works at night and sleeps during the day, it only gradually dawns on her that serious changes are unfolding in her home. Her landlord has made several offers of compensation if she were to move out, she has rejected them all and tries not to think about it. She is well aware that it would be pretty much impossible for her to find an affordable new place in her neighbourhood. And then, one night, the ghosts suddenly arrive. When Zoey comes home and is just about to go to bed, she hears a music that goes straight through her – so unsettling and intense that she almost faints.
But her landlord is not at all interested in hiring a company of ghost hunters. On the contrary, he sees this massive ghost-infestation as an opportunity to go ahead with the demolition of the house so that he can construct a new building and sell it for a lot of money. For the next few weeks, Zoey suffers intensely from the plague of ghosts. The only ray of hope is her neighbour Trisha who is deaf and therefore hardly feels harassed by the ghosts at all. A friendship between her and Zoey develops.
In this commissioned play for Schauspiel Leipzig, Raphaela Bardutzky addressed the everyday horrors of the housing market, combining aesthetics from the genres of horror opera, penny dreadful and club culture. Similar to her previous play “Fischer Fritz”, “Altbau in zentraler Lage” explores the relationship between language and power – and provides a joint stage for two different languages: In this case, it is the spoken German language and German Sign Language.
Raphaela Bardutzky studied theatre dramaturgy, philosophy and literary studies at Bayerische Theaterakademie August Everding and LMU Munich. Her play “Fischer Fritz” received both a nomination for Heidelberger Stückemarkt and the “Förderpreis für Neue Dramatik” at Münchner Kammerspiele. It was premiered by Schauspiel Leipzig in the context of Autor:innentheatertage at Deutsches Theater Berlin in 2022. In 2023, she received the Bavarian Art Promotion Prize in the category of literature for “Das Licht der Welt”.
With this world premiere, Schauspiel Leipzig also continues its cooperation with Salome Schneebeli, who in 2023 / 24 successfully directed “America” by Giorgio Ferretti at Diskothek.
				
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                    This is the final straw: a plague of ghosts in her flat. Zoey is in her late twenties; she lives in a pretty reasonably priced apartment and works as a runner in her city’s most ambitious electro-club. Since she works at night and sleeps during the day, it only gradually dawns on her that serious changes are unfolding in her home. Her landlord has made several offers of compensation if she were to move out, she has rejected them all and tries not to think about it. She is well aware that it would be pretty much impossible for her to find an affordable new place in her neighbourhood. And then, one night, the ghosts suddenly arrive. When Zoey comes home and is just about to go to bed, she hears a music that goes straight through her – so unsettling and intense that she almost faints.
But her landlord is not at all interested in hiring a company of ghost hunters. On the contrary, he sees this massive ghost-infestation as an opportunity to go ahead with the demolition of the house so that he can construct a new building and sell it for a lot of money. For the next few weeks, Zoey suffers intensely from the plague of ghosts. The only ray of hope is her neighbour Trisha who is deaf and therefore hardly feels harassed by the ghosts at all. A friendship between her and Zoey develops.
In this commissioned play for Schauspiel Leipzig, Raphaela Bardutzky addressed the everyday horrors of the housing market, combining aesthetics from the genres of horror opera, penny dreadful and club culture. Similar to her previous play “Fischer Fritz”, “Altbau in zentraler Lage” explores the relationship between language and power – and provides a joint stage for two different languages: In this case, it is the spoken German language and German Sign Language.
Raphaela Bardutzky studied theatre dramaturgy, philosophy and literary studies at Bayerische Theaterakademie August Everding and LMU Munich. Her play “Fischer Fritz” received both a nomination for Heidelberger Stückemarkt and the “Förderpreis für Neue Dramatik” at Münchner Kammerspiele. It was premiered by Schauspiel Leipzig in the context of Autor:innentheatertage at Deutsches Theater Berlin in 2022. In 2023, she received the Bavarian Art Promotion Prize in the category of literature for “Das Licht der Welt”.
With this world premiere, Schauspiel Leipzig also continues its cooperation with Salome Schneebeli, who in 2023 / 24 successfully directed “America” by Giorgio Ferretti at Diskothek.
                            Premiere on 22.11.2024
Diskothek
                        
                        
                        
                                                Diskothek
Duration
ca. 1:40This production uses strobe lighting.
Cast
Paula Winteler as Zoey Drope
                                    Emmeline Puntsch as Zoey Drope (alternating)
                                    Athena Lange as Trisha Flice / Mrs Honeycrunch
                                    Michael Pempelforth as Jeff Wailer / Mr Averige / Mrs Honeycrunch
                                    Alana Lu Wendsche as Ghost
                                    Samuel Sandriesser as Ghost / Mrs Graham
                                    Eyk Kauly as Gespenst / Mrs Graham / Mrs Badger
                                    Lilli Schnabel as Mrs Badger / Grace Lightly
                                    Sonja Isemer as Gespenst / Mrs Badger / Grace Lightly (alternating)
                                Team
Author: Raphaela Bardutzky
                                    Artistic collaboration: Athena Lange
                                    Director & Choreography: Salome Schneebeli
                                    Stage design, costume design & video: Heta Multanen
                                    Dramaturgy: Matthias Döpke
                                    Light: Thomas Kalz
                                    Sound: André Rauch
                                    Inspection: Luisa Rubel
                                    Soufflage: Christiane Wittig
                                    Directing assistent: Emily Huber
                                    Stage and costume design assistance: Carolin Schmelz
                                    Mask: Norbert Ballhaus, Astrid Storch
                                    Props: Jörg Schirmer
                                    Stage master: Mattheo Fehse
                                    Directing internship: Lara-Chayenne Zwickert
                                    Sign language collaboration: Rahel Doehring-Jahn
                                    Deaf Supervisor: Andreas Costrau, Günter Przybylski
                                    Sign language interpreters: Nathalie Fasold, Sarah Harzer, Kristin Lehmann, Nanke Maart, Julia Mischke, Charis Rasch, Theresa Rauch, Anne Winkler
                                    Theatre pedagogy: Amelie Gohla
                                Trailer
                            All performances with German sign language.
                        
                        
                    











 
                            
