Container Paris
Studio production 2019
                    //Invited to the 2019 National Competition of German-language acting students in Berlin
Only a few weeks ago, Hans-Peter Grothe was the pedantically conscientious employer of a logistics company. Now he is suddenly the CEO of a corporation worth billions. A special assignment caused this change in his circumstances: His boss asked Grothe to find a mysterious container. This search took him not only to Paris, but almost everywhere. Because the question of where the container might be found remains just as unanswered as what is in it or why it needs to be found. His path repeatedly crosses that of the sleepless and loopy top model Lynn Preston, but this is only the beginning of the strange things that happen around his search. The interest in the container seems to spread until it finally becomes public. Competing companies, the Catholic Church, Switzerland and the media get involved. Grothe reacts: He sets up his own business and goes public. While the search turns into a marketing binge, the container itself becomes a modern Golden Calf. And yet it remains nothing more than a blank space that everything revolves around in ever larger orbits as long as its contents are not revealed.
David Gieselmann equips his characters with a talent for absurdity and humorous language before sending them on this wild chase through the insane spirals of attention that rule in our globalised economic world, which operates according to impenetrable mechanisms of irrational profit calculations and medial super-hypes.
				
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                    Only a few weeks ago, Hans-Peter Grothe was the pedantically conscientious employer of a logistics company. Now he is suddenly the CEO of a corporation worth billions. A special assignment caused this change in his circumstances: His boss asked Grothe to find a mysterious container. This search took him not only to Paris, but almost everywhere. Because the question of where the container might be found remains just as unanswered as what is in it or why it needs to be found. His path repeatedly crosses that of the sleepless and loopy top model Lynn Preston, but this is only the beginning of the strange things that happen around his search. The interest in the container seems to spread until it finally becomes public. Competing companies, the Catholic Church, Switzerland and the media get involved. Grothe reacts: He sets up his own business and goes public. While the search turns into a marketing binge, the container itself becomes a modern Golden Calf. And yet it remains nothing more than a blank space that everything revolves around in ever larger orbits as long as its contents are not revealed.
David Gieselmann equips his characters with a talent for absurdity and humorous language before sending them on this wild chase through the insane spirals of attention that rule in our globalised economic world, which operates according to impenetrable mechanisms of irrational profit calculations and medial super-hypes.
                            Premiere on March 16, 2019
                        
                        
                        
                                                Duration
ca. 1:45, no breakCast
Julian Kluge as Hans-Peter Grothe
                                    Nicole Widera as Linda Grothe
                                    Paul Trempnau as Wolf Schaub
                                    Nina Wolf as Lynn Preston
                                    Tobias Amoriello as Heinz Rohde / A Father / A Pharmacist
                                    Friedrich Steinlein as Gustav von Streseburg
                                    Philipp Staschull as Petra Tegert
                                    Ron Helbig as Hans-Werner von Rottkamp / Hans Zermatt / A radio announcer / Dietmar Poppeling
                                Team
Playwright: David Gieselmann
                                    Director: Miguel Abrantes Ostrowski
                                    Stage: Maximilian Lindner
                                    Costumes: Esther Hottenrott
                                    Dramaturgy: Matthias Döpke
                                    Light: Thomas Kalz
                                









 
                            
