Schedule October 2023 November 2023 December 2023 January 2024 February 2024 March 2024 April 2024 May 2024 June 2024
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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25 | 26 | 27 | 28 | 29 | 30 | 1 |
2 | 3 | 4 | 5 | 6 | 7 | 8 |
9 | 10 | 11 | 12 | 13 | 14 | 15 |
16 | 17 | 18 | 19 | 20 | 21 | 22 |
23 | 24 | 25 | 26 | 27 | 28 | 29 |
30 | 31 | 1 | 2 | 3 | 4 | 5 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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30 | 31 | 1 | 2 | 3 | 4 | 5 |
6 | 7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | 18 | 19 |
20 | 21 | 22 | 23 | 24 | 25 | 26 |
27 | 28 | 29 | 30 | 1 | 2 | 3 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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27 | 28 | 29 | 30 | 1 | 2 | 3 |
4 | 5 | 6 | 7 | 8 | 9 | 10 |
11 | 12 | 13 | 14 | 15 | 16 | 17 |
18 | 19 | 20 | 21 | 22 | 23 | 24 |
25 | 26 | 27 | 28 | 29 | 30 | 31 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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1 | 2 | 3 | 4 | 5 | 6 | 7 |
8 | 9 | 10 | 11 | 12 | 13 | 14 |
15 | 16 | 17 | 18 | 19 | 20 | 21 |
22 | 23 | 24 | 25 | 26 | 27 | 28 |
29 | 30 | 31 | 1 | 2 | 3 | 4 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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29 | 30 | 31 | 1 | 2 | 3 | 4 |
5 | 6 | 7 | 8 | 9 | 10 | 11 |
12 | 13 | 14 | 15 | 16 | 17 | 18 |
19 | 20 | 21 | 22 | 23 | 24 | 25 |
26 | 27 | 28 | 29 | 1 | 2 | 3 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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1 | 2 | 3 | 4 | 5 | 6 | 7 |
8 | 9 | 10 | 11 | 12 | 13 | 14 |
15 | 16 | 17 | 18 | 19 | 20 | 21 |
22 | 23 | 24 | 25 | 26 | 27 | 28 |
29 | 30 | 1 | 2 | 3 | 4 | 5 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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29 | 30 | 1 | 2 | 3 | 4 | 5 |
6 | 7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | 18 | 19 |
20 | 21 | 22 | 23 | 24 | 25 | 26 |
27 | 28 | 29 | 30 | 31 | 1 | 2 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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27 | 28 | 29 | 30 | 31 | 1 | 2 |
3 | 4 | 5 | 6 | 7 | 8 | 9 |
10 | 11 | 12 | 13 | 14 | 15 | 16 |
17 | 18 | 19 | 20 | 21 | 22 | 23 |
24 | 25 | 26 | 27 | 28 | 29 | 30 |
19:30
Hinterbühne
In “Jahrestage. Zweiter Teil”, based on Uwe Johnson, the major topic that drives both the author and his protagonist unfolds once more. No country anywhere and no act of migration can remove Gesine’s moral burden of being bound up in political conflicts and bring her peace.
19:30
Hinterbühne
Director: Anna-Sophie Mahler
In “Jahrestage. Zweiter Teil”, based on Uwe Johnson, the major topic that drives both the author and his protagonist unfolds once more. No country anywhere and no act of migration can remove Gesine’s moral burden of being bound up in political conflicts and bring her peace.
16:00
Hinterbühne
Director: Anna-Sophie Mahler
In “Jahrestage. Zweiter Teil”, based on Uwe Johnson, the major topic that drives both the author and his protagonist unfolds once more. No country anywhere and no act of migration can remove Gesine’s moral burden of being bound up in political conflicts and bring her peace.
19:30
Hinterbühne
Director: Anna-Sophie Mahler
In “Jahrestage. Zweiter Teil”, based on Uwe Johnson, the major topic that drives both the author and his protagonist unfolds once more. No country anywhere and no act of migration can remove Gesine’s moral burden of being bound up in political conflicts and bring her peace.
19:30
Hinterbühne
Director: Anna-Sophie Mahler
In “Jahrestage. Zweiter Teil”, based on Uwe Johnson, the major topic that drives both the author and his protagonist unfolds once more. No country anywhere and no act of migration can remove Gesine’s moral burden of being bound up in political conflicts and bring her peace.