Schedule March 2024 April 2024 May 2024 June 2024 July 2024 August 2024 September 2024 October 2024 November 2024
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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29 | 30 | 1 | 2 | 3 | 4 | 5 |
6 | 7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | 18 | 19 |
20 | 21 | 22 | 23 | 24 | 25 | 26 |
27 | 28 | 29 | 30 | 31 | 1 | 2 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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27 | 28 | 29 | 30 | 31 | 1 | 2 |
3 | 4 | 5 | 6 | 7 | 8 | 9 |
10 | 11 | 12 | 13 | 14 | 15 | 16 |
17 | 18 | 19 | 20 | 21 | 22 | 23 |
24 | 25 | 26 | 27 | 28 | 29 | 30 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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1 | 2 | 3 | 4 | 5 | 6 | 7 |
8 | 9 | 10 | 11 | 12 | 13 | 14 |
15 | 16 | 17 | 18 | 19 | 20 | 21 |
22 | 23 | 24 | 25 | 26 | 27 | 28 |
29 | 30 | 31 | 1 | 2 | 3 | 4 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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29 | 30 | 31 | 1 | 2 | 3 | 4 |
5 | 6 | 7 | 8 | 9 | 10 | 11 |
12 | 13 | 14 | 15 | 16 | 17 | 18 |
19 | 20 | 21 | 22 | 23 | 24 | 25 |
26 | 27 | 28 | 29 | 30 | 31 | 1 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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26 | 27 | 28 | 29 | 30 | 31 | 1 |
2 | 3 | 4 | 5 | 6 | 7 | 8 |
9 | 10 | 11 | 12 | 13 | 14 | 15 |
16 | 17 | 18 | 19 | 20 | 21 | 22 |
23 | 24 | 25 | 26 | 27 | 28 | 29 |
30 | 1 | 2 | 3 | 4 | 5 | 6 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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30 | 1 | 2 | 3 | 4 | 5 | 6 |
7 | 8 | 9 | 10 | 11 | 12 | 13 |
14 | 15 | 16 | 17 | 18 | 19 | 20 |
21 | 22 | 23 | 24 | 25 | 26 | 27 |
28 | 29 | 30 | 31 | 1 | 2 | 3 |
Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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28 | 29 | 30 | 31 | 1 | 2 | 3 |
4 | 5 | 6 | 7 | 8 | 9 | 10 |
11 | 12 | 13 | 14 | 15 | 16 | 17 |
18 | 19 | 20 | 21 | 22 | 23 | 24 |
25 | 26 | 27 | 28 | 29 | 30 | 1 |
19:30 — 21:00
Hinterbühne
Director: Anna-Sophie Mahler
Introduction 19:00 at Rangfoyer + digital
In “Jahrestage. Zweiter Teil”, based on Uwe Johnson, the major topic that drives both the author and his protagonist unfolds once more. No country anywhere and no act of migration can remove Gesine’s moral burden of being bound up in political conflicts and bring her peace.
19:30 — 21:00
Hinterbühne
Director: Anna-Sophie Mahler
Introduction 19:00 at Rangfoyer + digital
With follow-up discussion
With follow-up discussion
In “Jahrestage. Zweiter Teil”, based on Uwe Johnson, the major topic that drives both the author and his protagonist unfolds once more. No country anywhere and no act of migration can remove Gesine’s moral burden of being bound up in political conflicts and bring her peace.
19:30 — 21:00
Hinterbühne
Director: Anna-Sophie Mahler
In “Jahrestage. Zweiter Teil”, based on Uwe Johnson, the major topic that drives both the author and his protagonist unfolds once more. No country anywhere and no act of migration can remove Gesine’s moral burden of being bound up in political conflicts and bring her peace.